Artist, Latest ((new)): Riya Sharma,

: Her photographs often reflect social inequality and poverty, aiming to forge a visceral connection between the viewer and the subject.

In an art world increasingly polarized between the grandiose spectacles of NFT mania and the solemn hush of traditional galleries, the artist Riya Sharma has carved out a distinctive third space. Her latest body of work, a series titled Ephemeral Echoes , marks a significant maturation in her career, moving her beyond the label of a promising digital illustrator to that of a critical voice in contemporary visual culture. riya sharma, artist, latest

Critics have responded with enthusiasm. The Art Chronicle called Ephemeral Echoes “a necessary antidote to the soullessness of generative AI art,” praising Sharma’s ability to infuse digital tools with raw, confessional vulnerability. More importantly, her audience—a generation raised on dual screens—has seen itself reflected in her work. The exhibition’s AR component, which allows viewers to point their phones at a blank wall and see the paintings “float” in their own space, has gone viral on TikTok, not as a gimmick, but as an extension of the work’s central thesis: that art, like memory, is no longer confined to a single place. : Her photographs often reflect social inequality and

For Sharma, the "latest" label is a double-edged sword. "People always want to know what is new, what is next," she smiles. "But for me, the goal isn't to be new. It's to be true. If Fragments of Tomorrow makes someone pause for just thirty seconds in their busy day, then I’ve done my job." Critics have responded with enthusiasm

: She contributed two major pieces, Woven Journey and Lyrical Soul Ballerina , to a live and silent auction supporting community initiatives.