In a panic, he ripped the memory cards out—the EXB-MOSS board, the sample RAM. The growl became a shriek. He grabbed the only tool he had: a screwdriver. He pried open the chassis. Inside, there were no circuit boards, no capacitors, no familiar architecture of sound. There was only a single, spinning blue disc, like a tiny galaxy, and in its center, a single word etched in light: RECORDING .
He tried to turn it off. The power switch clicked, but the screen stayed black, and the low growl continued. He pulled the power cord. The growl continued. It was coming from the speakers, which weren’t plugged into anything. It was coming from the walls. It was coming from inside his own skull.
This resulted in a staggering and 1,280 combinations , making it one of the most versatile workstations of its era. The "Valve Force" Edge Korg Triton Extreme 61-Key Synth Workstation - zZounds.com