Cinematographer Mateo Ríos employs a palette of deep blues and muted amber, punctured by sudden flares of electric magenta whenever a memory is accessed or altered. The camera often works through reflective surfaces—mirrors, wet pavement, glass—splintering the image into kaleidoscopic fragments. This technique not only mirrors the film’s fragmented narrative but also visually reinforces the theme that identity is a composite of reflected experiences.
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