The film introduces us to Jasmine (Jasmine Dennis), a young woman reeling from a messy breakup with her possessive ex-boyfriend, Caleb. Seeking solace in the familiar rhythms of her daily life—waitressing, hanging out with her best friend, and riding her motorcycle through the grey, slush-covered streets—Jasmine is vulnerable. Enter Dallas (Chantal Perron), a confident, enigmatic roofer with a predatory gaze and a disarming smirk.
The film has been a subject of study and discussion within LGBTQ+ cinema for its refusal to adhere to traditional narrative tropes. While critical reception was varied, with some focusing on the simplicity of the plot, many praised the film's visual aesthetic and its contribution to broadening the scope of stories told by and for women.
The film rests entirely on the shoulders of Jasmine Dennis and Chantal Perron. Their chemistry is electric, which is essential for the film’s trick to work. If we didn't believe Jasmine was drawn to Dallas, the first half would drag. If we didn't believe Dallas was dangerous, the second half would fail.
The decision to utilize an all-female crew was central to the director's vision. By ensuring that every person behind the camera—from the cinematographer to the grips—was a woman, the production aimed to create a safe and collaborative environment. This approach was intended to translate into a film that felt grounded in a specific, lived experience, prioritizing emotional resonance and visual intimacy. Director: April Mullen Writer: Stephanie Fabrizi Starring: Erika Linder and Natalie Krill Cinematography: Maya Bankovic