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"Hey! Stop!" Elias scrambled out of his chair, rushing toward the machine.

He hesitated. He was a craftsman, not a hacker. There was a strange guilt in using stolen software, a feeling that the tool itself knew it was being used without permission. But the client, a wealthy restorationist, wanted a specific Victorian-era rosette reproduced for a grand piano. The deadline was tomorrow. ArtCAM was the only software that handled the "relief" layering the way Elias needed it to.

A DOS window flashed—a cascade of white text on a black background. The crack was patching the binary, rewriting the lock. Then, the splash screen appeared. The familiar whirl of gears, the gradient background.