The trecho serves as a reminder that beneath our civilized surfaces, there is a wild, unthinking vitality—a "plant-like" existence—that is both beautiful and terrifying. To see it is to feel intoxicated; to live in it is impossible for the socialized human.
For Ana, seeing the plants is an experience of "nausea"—a concept Lispector shares with existentialists like Jean-Paul Sartre. The "groggy" vision is the realization that the world is "too much." The plants are heavy with sap, the air is thick, and the sheer abundance of life feels like a threat to her thin, organized existence. trecho grogue a visão das plantas
It seems you are looking for the full text of — but this exact title does not correspond to a known published book, poem, or academic work in Portuguese or Spanish literature, anthropology, or ayahuasca-related studies. The trecho serves as a reminder that beneath
Let me know, and I will search more precisely or provide the closest available public domain or scholarly excerpt. The "groggy" vision is the realization that the
If you meant a (sacred song) about plant visions, those are traditionally oral and not published as a single "full text."
Ultimately, Ana cannot live in that "groggy" state. It is too intense, too close to madness. She returns home, back to the safety of her husband and children, choosing "blindness" over the overwhelming "vision" she had in the garden.