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She has investigated whether success in neurofeedback learning can be predicted from pre-training brain activity.

The morning light in the Vienna studio was diffuse, filtering through the high, dusty windows and catching the motes that danced in the silence. Bettina Sladky stood before the canvas, her hand hovering just inches from the linen, a conductor pausing before the downbeat.

She was known for her stillness, a quality that confused those who only knew her work from the glossy pages of art journals. In photographs, her pieces looked like chaotic geysers of color—violent reds intersecting with urgent, industrial grays. But in person, watching her work, one understood the deception. The chaos was calculated; the violence was a slow, deliberate burn.

Bettina maintains a presence across various social platforms, including: