For teams, the feature was a game-changer. Multiple editors could access the same project file. A "check-in/check-out" system prevented conflicting saves, allowing assistant editors to prep footage while the lead editor worked on the timeline.
One of the primary challenges for Startimes was covering live events, such as football matches (e.g., the CAF Champions League) and talent shows. Premiere Pro CC 2018 introduced enhanced multicamera editing features that allowed editors to sync up to 16 camera angles simultaneously. For a company like Startimes, which often operates on tight schedules between a live event and airtime, this meant that highlight reels could be assembled in minutes rather than hours. The software’s improved performance with native formats (such as H.264 and HEVC) meant less time transcoding footage, a critical advantage for newsrooms and sports departments. adobe premiere pro cc 2018 startimes