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This moment is a turning point in the film. It strips away the distance between the audience and the antagonist, "Josh." While the first half of the film is spent watching home videos and video chats—where the girls are in control of their image—the discovery of these photos signals a total loss of agency. The photos serve as proof of life in the worst possible way, confirming that the antagonist is a predator who hunts via technology.

Director Michael Goi eventually issued a warning to new viewers, advising them to watch the film with the lights on and to not watch it alone. This warning was necessitated by the power of the film's imagery; the photos and videos depicted are designed to stick with the viewer, serving as a lingering, traumatic reminder of the film's message. megan is missing photos