By juxtaposing the cheerful Dragnet theme (a symbol of 1950s law-and-order nostalgia) with a guttural yell, KRS-One flips the script. He shows us that the "nice cop" narrative is a fantasy. The sound of the police, he argues, is universally aggressive.
This portal uses essential first-party cookies for its proper functioning, as well as third-party cookies for analytical purposes. You can find more information in the cookie policy
Cookie configuration
You can use these buttons to customise the services you wish to use on this portal.